Then keep the SJWs out of
them. Stop trying to play nice. Stop trying to hide what you think. Stop trying
to work within their system. If you're creative and you're talented, then stand
up to them and fight them openly. Build your own platform, foxnews them, take
half their collective audience away from them, and hit them where they aren't
expecting it. This chronicle of the ideological corruption
of Hollywood explains why moderation and accommodation will never work.
“The blacklist of people
on the left grew out of a defacto blacklist of people on the right within the
industry,” recalls Orson. “There was communist directors, members of The Party,
who only would cast you if you were also a member of The Party, or they were
trying to woo you as a member of The Party. A lot of rightwing actors…were
really furious at them. So when the Cold War happened…these rightwing actors,
who had been seething for years about the way the communists were infiltrating
the Hollywood business and were infiltrating the unions too, took their
revenge. I don’t think that story’s ever been written because it’s not
attractive for the Left.”
Orson isn’t alone in remembering this lost history.
“Morrie Ryskind, who was a Pulitzer Prize winner, couldn’t get a job because he didn’t think exactly like these fellows,” recalled John Wayne.
After testifying before the House Un-American Activities Committee as a “friendly witness”, the extraordinarily talented Morrie never received another offer from a studio again – and neither did other screenwriters that testified against communism in Hollywood. When the “official” blacklist era ended, liberals continued where they left off – freezing out conservatives…to far better effect.
“I think there’s a reverse blacklist, even today,” said director and Hollywood Ten member Edward Dmytryk in Hollywood on Trial, a 1976 documentary about the blacklist. “I think that the liberals who are riding high, are going in the opposite direction. I think some of the fellas back then, who were on the reactionary side, are having a tough time getting jobs now.”
This greylist has been fully institutionalized. “The Writers Guild of America, my union, is at a minimum 99 percent leftist liberal and, like me, socialist,” said screenwriter and MSNBC host Lawrence O’Donnell in 2003. In the wake of the blacklist era, the left gained complete control of La La Land using a tactic they now vilify on the big screen. In a sense, it’s a weird tribute to Morrie Ryskind, John Wayne, Cecile B. DeMille and the others concerned about how the far-left storytellers could use movies to rewrite history.
“Being not a communist is grounds for dismissal now,” says Gavin McInnes about being a right-winger in showbiz. The co-founder of Vice Magazine, Gavin is unquestionably one of the funniest people on the planet. From the founding of Vice in 1994 until he left in 2008, its comedic voice was his voice – and it was one that comedians wished to emulate. “Their brand of humor is what I would do if there were no ‘standards and practices’ on TV,” said Jimmy Kimmel about Vice during Gavin’s helm.
After leaving the magazine due to creative differences with his partners – he came up against Hollywood’s liberal enforcers. “Jimmy Miller is Dennis Miller’s brother. He’s one of the biggest managers in comedy. He managed Will Ferrell, Jim Carey. He took a real shining to me after I left Vice,” says Gavin. “Things were going great. And then he found out I was right wing. He didn’t ‘X’ me per se, but it’s exactly like being known as a pedophile…no one likes a pedophile.” (Jimmy Miller did not respond to a request for comment.) Since the election of Trump, even with his star on the rise among the right and a new show on CRTV, his entertainment peers have become even more intolerant. “I’ve lost 100% of my friends that are in comedy. I’ve lost 100% of my celebrity friends.”
This ploy keeping Hollywood a liberal bastion is subtle, but extraordinarily effective – smoke out right-wingers and their sympathizers, spread the word of their apostasy, freeze them out, repeat. This process is seen in every crevice of Tinseltown, and it quietly teaches a lesson to all watching.
Orson isn’t alone in remembering this lost history.
“Morrie Ryskind, who was a Pulitzer Prize winner, couldn’t get a job because he didn’t think exactly like these fellows,” recalled John Wayne.
After testifying before the House Un-American Activities Committee as a “friendly witness”, the extraordinarily talented Morrie never received another offer from a studio again – and neither did other screenwriters that testified against communism in Hollywood. When the “official” blacklist era ended, liberals continued where they left off – freezing out conservatives…to far better effect.
“I think there’s a reverse blacklist, even today,” said director and Hollywood Ten member Edward Dmytryk in Hollywood on Trial, a 1976 documentary about the blacklist. “I think that the liberals who are riding high, are going in the opposite direction. I think some of the fellas back then, who were on the reactionary side, are having a tough time getting jobs now.”
This greylist has been fully institutionalized. “The Writers Guild of America, my union, is at a minimum 99 percent leftist liberal and, like me, socialist,” said screenwriter and MSNBC host Lawrence O’Donnell in 2003. In the wake of the blacklist era, the left gained complete control of La La Land using a tactic they now vilify on the big screen. In a sense, it’s a weird tribute to Morrie Ryskind, John Wayne, Cecile B. DeMille and the others concerned about how the far-left storytellers could use movies to rewrite history.
“Being not a communist is grounds for dismissal now,” says Gavin McInnes about being a right-winger in showbiz. The co-founder of Vice Magazine, Gavin is unquestionably one of the funniest people on the planet. From the founding of Vice in 1994 until he left in 2008, its comedic voice was his voice – and it was one that comedians wished to emulate. “Their brand of humor is what I would do if there were no ‘standards and practices’ on TV,” said Jimmy Kimmel about Vice during Gavin’s helm.
After leaving the magazine due to creative differences with his partners – he came up against Hollywood’s liberal enforcers. “Jimmy Miller is Dennis Miller’s brother. He’s one of the biggest managers in comedy. He managed Will Ferrell, Jim Carey. He took a real shining to me after I left Vice,” says Gavin. “Things were going great. And then he found out I was right wing. He didn’t ‘X’ me per se, but it’s exactly like being known as a pedophile…no one likes a pedophile.” (Jimmy Miller did not respond to a request for comment.) Since the election of Trump, even with his star on the rise among the right and a new show on CRTV, his entertainment peers have become even more intolerant. “I’ve lost 100% of my friends that are in comedy. I’ve lost 100% of my celebrity friends.”
This ploy keeping Hollywood a liberal bastion is subtle, but extraordinarily effective – smoke out right-wingers and their sympathizers, spread the word of their apostasy, freeze them out, repeat. This process is seen in every crevice of Tinseltown, and it quietly teaches a lesson to all watching.
Chris Roberts didn't need the game companies to finance Star
Citizen. Neither do we. PewDiePie doesn't need YouTube or Disney. Pretty soon,
we won't need Hollywood to make our movies either. There is no place for us in
their sandbox. Fine. Who wants to play in that disease-infested filth anyhow?
Let us build our own instead.
After two generations of being pummeled by La La Land, the newly constituted right is punching back with a force that has Tinseltown scrambling.
Damn right we are.
After two generations of being pummeled by La La Land, the newly constituted right is punching back with a force that has Tinseltown scrambling.
Damn right we are.
But where the old right
was content with closing their wallets to Hollywood, the new right thinks
stopping there is the stuff of cucks. This politically incorrect movement has
galvanized in a way that was unheard of just a few years ago. Instead of the
Kum Ba Yah rallies of yesterday’s Tea Party, this new right prefers a more
active approach. They bombard film reviews with negative grades, inundate show
sponsors with calls to drop their advertising, and hit the most hate-filled
celebrities with a flurry of boycott campaigns usually only seen coming from
the left.
No longer afraid to be called racists, sexists, homophobes, Islamophobes, or xenophobes – because they know they’ll be branded these no matter what – the new right is going directly after their perceived enemy, rejecting traditional content, creating their own entertainment, and organizing on a scale that should make Hollywood take pause in their daily putdowns. Social norms are no longer barriers, and some are even willing to flout the law…all to even the playing field.
No longer afraid to be called racists, sexists, homophobes, Islamophobes, or xenophobes – because they know they’ll be branded these no matter what – the new right is going directly after their perceived enemy, rejecting traditional content, creating their own entertainment, and organizing on a scale that should make Hollywood take pause in their daily putdowns. Social norms are no longer barriers, and some are even willing to flout the law…all to even the playing field.
