“American Oligarchs” will be a recurring
National Justice series highlighting 21st century robber barons and how they
use their power over our country.
The goal is to spotlight America’s crisis
of representative democracy and the corruption foisted upon our society by
capitalist thugs and their agents.
The relationship between
distorted art and ugly behavior is not always obvious, but it is intuitive. As
with the ancient Greek comparison of bad poets with bad politics, American
society, through the systematic distribution of wealth into the hands of a
small group of greedy capitalists and Jews, has the art and leadership of a
corrupt society plunged deep into the Dark Ages.
A
2016 article in
the New York Times contrasting the immense wealth of the
Museum of Modern Art with the financial hardship of the Metropolitan Museum of
Art just 30 minutes away is testament to the immense spiritual and social
discord created by a slimy film of Wall Street filth in perpetual antagonism
with European civilization.
In the
piece, the “fashionability” of the MoMA and its billionaire-facilitated
expansion is described, all as one of the world’s greatest collections of
precious figurative art from around the world at the Met is forced to endure
layoffs and budget cuts.
No stone
has been left untouched by the greed of the revolt of the elite. Capitalists,
predominately Jewish, have sunk their fangs into the art world and turned it
into yet another money pump, especially privileging difficult to appraise
“modern” and “abstract” odes to the ugly, and turning it into yet another
parasitical scam. The “works” of Warhol and Hirst have appreciated faster than
the S&P 500, and buying and selling art whose
prices are bubbled up by speculation has made a joke out of a once vital pillar
of human enlightenment. The speculative market has also made it appealing for
billionaires to donate their art collections to museums like the MoMA in
exchange for an estates-tax dodge at
“market value,” decided by the hype created by the price of an initial buy and
resale (say, to your own Cayman Islands shell company, in theory) and kooky
critics who claim to see depth in a blank canvass,
The
patrons of modern art are just as repulsive as the works they sponsor. MoMA
continues to expand thanks to the large donations provided by its trustees and
donors, which is a veritable who’s who of Zionists and bankers:
Blackrock’s Larry Fink,
currently profiting off the crisis of student loan and credit card debt, the
infamous Rockafellar banking estate, and Leon Black, a white-collar bandit
specializing in leveraged buyouts.
But
perhaps the most shocking decision made by MoMA was to name a new galleryin
its $400 million dollar expansion after Glenn Dubin, another trustee and a Wall
Street figure who has been accused by multiple people under oath of being a
child-molester who aided Jeffrey Epstein. MoMA, for all the “wokeness” Jews and
feminist whackjobs who specialize in peddling abstract art promote, has refused
to break their ties to benefactor Dubin. Democratic Presidential
contender Pete Buttigieg has
also ignored calls to return donations from Dubin and his wife.
In the
plutocratic hedonistic tyranny of America, it is more controversial to be an
associate of an accused “Nazi” than it is to be closely linked to an
international trafficker of kids.
Glenn
Dubin, Accused Child Rapist
Dubin’s
relationship to now deceased co-tribal Jeffrey Epstein is disturbingly
intimate. Dubin’s current wife, a Swedish social climber named Eva Andersson,
got her start as a 17-year-old model in New York City who later became Jeffrey
Epstein’s girlfriend by 1981. Epstein and Andersson were together until he met
Ghislaine Maxwell in 1991, and he personally paid for her to attend medical
school.
By 1994,
Andersson got married to Dubin, but continued to speak to
Epstein every day on the phone, allowing her to become ingratiated in his
network of Jewish criminals and powerful Gentile servants. Epstein also became
closely acquainted with Dubin, and was considered a “godfather” to the family’s
children.
Epstein
had a special eye for one of the Dubin children, Celina, who he personally
mentored since the age of 12. The Palm Beach Post reported after
Epstein’s death that at the age of 61 he even tried to marry 19-year-old
Celina, who for years referred to him as “Uncle Jeff.” The dynamic between
Epstein and Glenn Dubin, the latter who apparently had no issue with his wife’s
ex-boyfriend not only hanging around but wanting to prey on his daughter, is
peculiar to say the least.
Dubin’s
Highbridge Capital and Epstein tossed big money back and fourth to each other
in the stock market for years, but the real controversy Dubin finds himself in
is in relation to the lawsuit put into motion by former Epstein child
sex-slave, Virginia Giuffre. According to her 2016 deposition, Giuffre alleged
that Dubin was the first man she
was forced to have sex with after being recruited at Donald Trump’s Mar-a-Lago
resort by Maxwell at the age of 15.
Her
implication of Dubin was substantiated by testimony from
his butler, Rinaldo Rizzo and his chef wife. According to Rizzo’s tearful
account of events, he and his wife often saw random underage girls coming in
and out of the Dubin residence. In one incident, Eva Andersson brought a
15-year-old Swedish girl into the kitchen claiming that she was a new au pair,
and briefly left her alone with Rizzo. The house manager made casual small
talk, asking her what she did for the Dubins, only to get the answer that she
was Dubin’s “personal assistant.”
Rizzo did
not believe it, as the girl was 15. When he pressed her on the topic, she began
to shake uncontrollably and cry, admitting that she was being raped but was
being threatened by Maxwell and Epstein into silence.
Rizzo and
his wife soon quit their job in indignation following this exchange, even
though Rizzo was a longtime employee of the Dubins.
Who but
the rich and Jew-connected could retain their position as a prominent internist
at Mount Sinai Hospital or on the medical facility’s board (which Dubin
retains) after being merely accused of
such monstrous behavior? Dr. Eva Andersson continues to work at
the Dubin Breast Center at Mount Sinai Hospital in New York City since it is
financed by her husband, partially with Epstein’s money.
Compare
the insolence of continuing to give leadership roles and honorable titles to
the sullied names of this Jewish billionaire and his wife at a hospital where
hundreds of thousands women and girls pass through with the phony outrage
performed by St. Judes Hospital when they returned a $27,000 dollar donation
from Ethan Ralph and his fans because the Wall
Street Journal called them “racist.” Virtue signaling is an
oligarchy’s Fabreze to mask true moral stink – the more flowery it smells, the
more extreme the rot.
Dubin and
his wife continue to deny all of these accusations and have made press releases
calling Epstein “despicable,” but records show that the couple continued their
relationship with Epstein even after he was outed as a deviant and sent to jail
on sexual exploitation charges. Eva Andersson even wrote a letter affirming
Epstein to be of good character to his probation officer, claiming she
was fully comfortable with
him being around her teenage daughters.
Politicians,
“Robin Hood Foundation,” and Other Dubin Projects
The
oligarch has been handing out cash to prominent Democrats and 501(c)(3)s for
the past two years, even though the scandal has forced him to retire from
the only kind of institution treated with respect in today’s America: his hedge
fund.
Dubin has
spent lavishly on California Representative Gilbert Cisneros, a crusader for
open borders and gun-grabbing.
He has
also donated to the arch Zionist Max Rose, who recently wrote an op-ed in
the New York Times calling for the government to treat all who
advocate for European civilization and white citizens as terrorists.
He has
shown great interest in buying influence with some of the Democrat presidential
flunkees running as business-friendly neo-liberals, such as John Hickenlooper,
Steve Bullock and Michael Bennett.
Dubin’s
current interest is in “Wall Street Pete” Buttigieg, to whom he has given the
maximum amount.
On the
“charity” front, Dubin is known for being a founding member of the Robin Hood
Foundation, a non-profit funded largely by Jewish hedge fund managers, that
claims to be interested in combating poverty in New York City.
The recipients
of Robin Hood Foundation grants are a kaleidoscope of non-white ethnic advocacy
organizations, immigration and refugee resettlement groups, mixed in with
various endeavors intended to raise the 1 in 3 New Yorkers going in and out of
poverty up into financial stability.
Since its
founding by Dubin and Paul Tudor Jones in 1988, the fund claims to have
dispersed over a billion dollars, making it one of the most generous
anti-poverty groups in the country on paper.
Yet,
during Robin Hood Foundation’s 32 year existence, wealth inequality in New York
City has skyrocketed to number one in the nation, with most of the money going
straight into the pockets of these noble stock exchange Robin Hoods. The top 1%
in New York has 44 time s
more wealth than the bottom 99%.
This is
thanks in part to Ronald Reagan’s Tax Reform Act, which reduced the income tax
of top earners from 50% in 1986
to 28% in 1988, which gives the super-wealthy plenty of extra money to fund
open borders, anti-white activism, modern art, and child transgenderism at
the expense of our health care, public facilities and safety net, all without
being subjected to the scrutiny and anger of the voting public.
The Robin
Hood Foundation itself found itself in hot water, when Congress in 2007investigated the
non-profit’s “rainy day fund,” which was being re-invested into hedge funds
owned by the “charity’s” very own donors and trustees!
Corrupted politicians, the widespread
debasement and commodification of art, anti-white racial animosity, the rape
and enslavement of little girls as the FBI looks the other way – it’s all
coming off the Dubin assembly line, with not a single cent being earned through
honest and productive work.
(Republished
from National Justice by
permission of author or representative)
