The seeds of tomorrow's culture
How the Left Laid Waste to Comics and Sci-Fi Publishing
In the culture war engulfing America, there are many fronts. Some are apparent to everyone, such as the purging of right-wing figures from Facebook and Twitter. But a less well-known battle is being waged in science fiction publishing, where a steady convergence in the industry has all but eliminated straight white male authors from the catalogs of the major sci-fi publishers.
California is known as a bellwether state. Political, cultural, and demographic trends tend to appear in California first before metastasizing throughout the United States. It is not an accident that both no-fault divorce and Valley Girl uptalk both happened to have their roots in California.
In the same way, the comics industry can be considered something of a bellwether industry, at least when it comes to the culture war. Even before the university campuses descended into social justice lunacy, the two industry giants, Marvel and DC Comics, hired executives who promptly turned their companies into left-wing propaganda factories.
The extent of the convergence cannot be exaggerated; it is literally worse than you can likely imagine. From a transsexual Thor to a gay Hispanic Spider-man, from tedious lecturing and hectoring to homosexual marrying and villains celebrating girl power with heroes in lieu of fighting them, the culture warriors in comics have insulted their fans, rejected their roots, besmirched their heroes, and befouled and befattened the formerly beautiful.
Read the rest of my new monthly column on the culture war at Dangerous.
In the culture war engulfing America, there are many fronts. Some are apparent to everyone, such as the purging of right-wing figures from Facebook and Twitter. But a less well-known battle is being waged in science fiction publishing, where a steady convergence in the industry has all but eliminated straight white male authors from the catalogs of the major sci-fi publishers.
California is known as a bellwether state. Political, cultural, and demographic trends tend to appear in California first before metastasizing throughout the United States. It is not an accident that both no-fault divorce and Valley Girl uptalk both happened to have their roots in California.
In the same way, the comics industry can be considered something of a bellwether industry, at least when it comes to the culture war. Even before the university campuses descended into social justice lunacy, the two industry giants, Marvel and DC Comics, hired executives who promptly turned their companies into left-wing propaganda factories.
The extent of the convergence cannot be exaggerated; it is literally worse than you can likely imagine. From a transsexual Thor to a gay Hispanic Spider-man, from tedious lecturing and hectoring to homosexual marrying and villains celebrating girl power with heroes in lieu of fighting them, the culture warriors in comics have insulted their fans, rejected their roots, besmirched their heroes, and befouled and befattened the formerly beautiful.
Read the rest of my new monthly column on the culture war at Dangerous.
