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Part 2 of 2; Part 1 here
Sexual Revolution as a Jewish Defense Against Anti-Semitism
A brief examination of the intellectual origins of the sexual revolution reveals a discernible trend of prominent Jewish radicals exhibiting a relentless and visceral hostility towards the central institutions of white European civilization and culture: religion, sexual responsibility, and cohesive traditional families. This is because they explicitly identify these institutions as seedbeds of antisemitism, i.e., sources of gentile social capital, and therefore as threats to the Jewish community. These two things are not unrelated. As Dr. MacDonald shows, these “Jewish intellectuals and political activists strongly identified as Jews and saw their work as furthering specific Jewish agendas.” [1] This attack on strong, patriarchal gentile family structures and conventional sexual morality, and the replacement of the old Christian values with the egocentric narcissism of the 68ers, was motivated by the desire to break down the social capital and cohesion of America and thereby manufacture a new society that would be heavily insulated against manifestations of anti-Semitism.
One notorious example that is not treated above is Sigmund Freud. Freud laid the intellectual groundwork for the theories of Wilhelm Reich and the Frankfurt School by launching his own assault on conventional Christian sexual attitudes and behaviors. And just like the Frankfurt School, Freud also saw his theories “as a mechanism for ending anti-Semitism.” [2] In his own writings, Freud fantasized of himself as “Hannibal, the Semitic leader of Carthage. . . in a war on gentile culture. . . [and against] Rome and its daughter institution, the Catholic Church,” which he identified as irredeemably evil, repressive and antisemitic. [3]
The notable Jewish sexual revolutionaries of the 20th century were motivated by the same goals. Reich called the family “the authoritarian miniature state” because it produces people who are “afraid of authority,” “good,” “adjusted,” and “obedient” — people who are conscious of themselves as committed members of a political body. By attacking high-investment parenting and conventional sexual morality, the mortar that binds every cohesive political community together, Jewish sexual revolutionaries sought to inaugurate a new social order incapable of cohering as an exclusive political body, because such a society would be incapable of discriminating against Jews.
Free love, critical race theory, and gender studies (all derivatives of critical theory) are the dominant ideologies of the West today. And now that these ideologies are firmly in power, you can find plenty of books and articles in which the Jewish community happily takes credit for pushing the cultural envelope, and for its role as a vanguard of the sexual liberation movement. Jews call their mission to fight against all forms of discrimination and prejudice tikkun olam (Hebrew for the Jewish obligation to “heal the world”).
An article from the Times of Israel reads: “How ‘tikkun olam’ inspired world’s first openly gay politician Harvey Milk.”
An article from Tablet Magazine reads: “Broadway’s First Lesbian Kiss Was Originally in Yiddish.”
An article from Haaretz reads: “Brilliant actors like Larry David and Sarah Silverman are challenging America’s powerful religious, family-friendly culture and asserting their Jewishness by glorifying obscenity.”
While praising Jews at a Jewish American Heritage Month event, Joe Biden stated: “I bet you 85 percent of those changes [referring to the public acceptance of gay marriage], whether it’s in Hollywood or social media, are a consequence of Jewish leaders in the industry.” Professor Abrams agrees: “Those at the forefront of the movement which forced America to adopt a more liberal view of sex were Jewish.”
The works of Freud, Reich, and the Frankfurt School were tremendously influential in the social sciences and the academy, though these are not the only avenues through which Jews “heal the world.”
Jews also “heal the world” by producing and distributing violent and degrading hardcore pornography.
Pornography as a Jewish Weapon to “Subvert Christian Sexuality”
According to Nathan Abrams, a Jewish professor at the University of Aberdeen, many Jewish pornographers identified as sexual revolutionary activists and were inspired by the antifascist praxis of Reich and Marcuse. And while students and Jewish anarchists were throwing Molotov cocktails at the police “to resist the fascism of whiteness” in the 1960s, Jewish activists also sought to liberate women from what Betty Friedan called the “‘comfortable concentration camp’ of the household” by enlisting them as actresses in hardcore porn films. [4] To Abrams, the overwhelming overrepresentation of Jews in the porn industry is clearly “a case of the traditional revolutionary/radical drive of immigrant Jews in America being channeled into sexual rather than Leftist politics.” [5] To drive this point home, the Jewish porn actress Nina Hartley described “herself as ‘the blonde Jew’ porn star from ‘a long line of radical Jews,’ who ‘wants everyone to have a piece — a piece of sex, a piece of the means of production, a piece of a warm communist community’ and ‘a piece of the promised Messianic Age.’” [6]
Another example is Greg Lansky. A self-obsessed Jewish porn mogul from France who revels in media attention, he illustrates that pornography isn’t just about the money. In an interview with Haaretz, Lansky describes how he “routinely suffered from anti-Semitism” as a child in France, below a photo featuring Lansky as a young boy beside the Wailing Wall in Jerusalem. In a pattern remarkably similar to the motivations of other Jewish pornographers, Lansky says he’s “taken on this effort [the adult film industry] because I feel like I belong in this fight for acceptance.” [7]
Jewish porn mogul Greg Lansky at the Wailing Wall
Abrams elaborates on what this “fight for acceptance” means to Jewish pornographers:
Jewish involvement in the X-rated industry can be seen as a proverbial two fingers to the entire WASP establishment in America. Some porn stars viewed themselves as frontline fighters in the spiritual battle between Christian America and secular humanism. According to Ford, Jewish X-rated actors often brag about their “joy in being anarchic, sexual gadflies to the puritanical beast.” Jewish involvement in porn, by this argument, is the result of an atavistic hatred of Christian authority: they are trying to weaken the dominant culture in America by moral subversion. Astyr remembers having “to run or fight for it in grammar school because I was a Jew. It could very well be that part of my porn career is an ‘up yours’ to these people. . .” Pornography thus becomes a way of defiling Christian culture and, as it penetrates to the very heart of the American mainstream (and is no doubt consumed by those very same WASPs), its subversive character becomes more charged. Porn is no longer of the “what the Butler saw” voyeuristic type; instead, it is driven to new extremes of portrayal that stretch the boundaries of the porn aesthetic. As new sexual positions are portrayed, the desire to shock (as well as entertain) seems clear.[/ind]
In this same vein, the aforementioned Jewish pornographer Al Goldstein stated in an interview with Luke Ford: “The only reason that Jews are in pornography is that we think that Christ sucks. Catholicism sucks. We don’t believe in authoritarianism.” [8] “Even when Jews live in a society that welcomes them instead of harassing them, many Jews hate the majority culture.” [9]
In his autobiography, Goldstein shares a fantasy in which he equivocates his porn publishing with heroic antifascist resistance, and refers to himself as “the Hebrew Pit Bull.” [10] Goldstein, who also describes himself as “an insecure, self-loathing Jew,” frequently mentions having suffered antisemitic abuses for his work and wishes that he had been killed by a critic so that he “could have died a martyr like Lenny Bruce.” [11] Goldstein also states: “I am probably the epitome of everything the Nazis hated: the Jew pornographer who besmirches the pure morals of the white Aryan world,” and “the ultimate product of Germany’s defeat.” [12]
Pornography is a crucial weapon in the Jewish struggle for “acceptance” against antisemitism and authoritarianism — i.e., healthy families and responsible heteronormative sexual morality. This is why the ADL, which exists to “fight antisemitism” and violate the First Amendment rights of anybody who criticizes the Jewish people, fights for pornographers. As E. Michael Jones describes, porn is one vehicle through which Jews promote a secular humanist vision of society, which they see as important for guaranteeing “individual Jews a civic equality and equality of opportunity dreamed of by previous Jewish generations.”
A society that is tolerant towards every form of sexual deviancy is a society that is tolerant towards Jews.
Do Jews use pornography to “subvert Christian sexuality?”
Verdict: guilty.
To “Cause Changes in Sexual Orientation” and “Create a Crisis of Reproduction for the White Race”
Once pornography is contextualized as a Jewish phenomenon, and particularly as one expression of the Jewish revolution against the traditional family, its role in “creating a crisis of reproduction for the white race” becomes immediately apparent, especially when associated with other Jewish “accomplishments” and agendas.
Birthrates have plummeted in the Western world. Below replacement birth rates have been used by governing parties of America and Western Europe to justify mass replacement migration from the third world (also note that major refugee and immigration organizations are overwhelmingly Jewish). Why have birth rates collapsed?
One reason is the widespread accessibility of contraceptives and abortions. For instance, the abortion rate (ratio of live births to abortions) typically hovers around 20%, meaning 1 in 5 pregnancies in the United States are terminated. As mentioned earlier, Jews were the vanguard of the feminist movement. The Jewish Daily Forward corroborates: “Jewish women were overrepresented in reproductive rights everywhere in the US,” and they were inspired with an urgency to fight for “reproductive autonomy” because of the “immediacy. . . of Nazism.” The notables included Betty Friedan, Susan Brownmiller, Ellen Willis, and Gloria Steinem (notwithstanding crucial icons like RBG). Today, 83% of the Jewish community in America believes that abortion should be legal in all or most cases, whereas in Israel, abortions need to be approved by a “termination committee.” Abortion aside, Jewish figures were also prominent pioneers of contraception, such as the Jewish chemist Carl Djerassi, who is known as “the father of the pill” (oral contraceptives).
The influence of contraception and abortion is likely overemphasized, however, and cultural factors are the most significant contributor to the collapse of reproductivity in the Western world.
Note that Hollywood, like the porn industry, is overwhelmingly Jewish. In the words of Rabbi Dresner, Hollywood is the principal institution laying siege on “the traditional family” in America and throughout the world with its cultural products that promote “‘rebellion, self-fulfillment, and promiscuity’ and a ‘debased view of the human body and spirit.’” Because of Hollywood, “the avant-garde has become the man on the street. Bohemia is Broadway. The filthy jokes formerly restricted to burlesque houses and certain nightclubs’ are now available on ‘films and TV for the millions. Las Vegas is no longer a city but a condition.’” [13] Combine the influence of Hollywood with that of hardcore internet pornography, and it is no wonder that people are less willing to start and raise a family. As discussed earlier, the assault on Christian sexual morality is deliberate. There is even some evidence suggesting that its impact on reproductivity is deliberate as well.
Dr. Andrew Joyce brings attention to the enormous mass-media campaign led by Jewish entertainment and media executives during the middle of the 20th century to “fight fascism” and to “make white Americans find their own ethnocentrism abhorrent.” One key individual in this regard is the Jewish mass-communications researcher Bernard Berelson. In 1969, he corresponded with the Jewish president of Planned Parenthood Frederick S. Jaffe about how to reduce the population of America. Their infamous correspondence is known as the Jaffe Memo. Among the proposals were compulsory abortion and sterilization, a line reading “chronic depression” (assuming to be induced amongst the population?), and the line “encourage increased homosexuality.” Here we have an explicit link between the promotion of hedonistic alternative lifestyles as a strategy suggested by powerful Jewish figures to curb the population growth of the (then predominantly white) American population.
In this regard, hardcore pornography has unquestionably normalized sodomy and created the perception of sexuality as primarily recreational, divorcing it from its procreative function entirely. Further, studies even suggest there may be a correlation between pornography consumption and the rise of alternative sexual orientations. Of course, this suggestion isn’t new; the President’s Commission on Obscenity and Pornography in the 1970s recommended against restricting access to pornography after concluding that frequent exposure could make people “have more tolerant or liberal sexual attitudes.” [14] Similarly, the supporters of pornography praise it not only for its purported health benefits, pointing to studies that suggest that frequent ejaculation minutely reduces the risks of prostate cancer, but also to claims that pornography makes men “more egalitarian. . . less accepting of gender-based discrimination. . . more accepting of sexual diversity. . . less stigmatizing towards homosexuality. . . [and] less religious.”
While feminism, contraception, and Hollywood seem to have killed procreative sex, pornography seems to be killing sex in general. The widespread accessibility of internet pornography is a central factor in the present sex recession (the phenomenon wherein young people appear to be having less sex than ever before) and the drastic decline in marriage rates. Jewish cultural revolutions (the New Left) and related products like pornography, all explicitly designed to break down culture and social cohesion, have produced a generation of young people incapable of forming fruitful and fertile relationships. Jews assure us that this is a good thing. As Eva Wiseman (a Jewish novelist who is very concerned about antisemitism) explains, pornography has made men more docile and less interested in physical intercourse by “deadening male libido in relation to real women.”
This is why she thinks that “disaffected young men need more pornography.” [15]
Organized Jewry engages in an enormous amount of abhorrent and destructive behavior to ensure that white society remains debased, disorganized, and therefore incapable of discriminating against Jews. As mentioned before, Jewish feminists, abortion activists, gay rights activists, and pornographers were and are principally motivated by the goal of making society safe for Jews. This is also why Jews promote multiculturalism and mass immigration (see especially David Cole’s quote, here), and even pedophilia (see here). In his recent book The Transgender Industrial Complex, Scott Howard shows that the massive movement to normalize and glorify transsexuality is manufactured by rich and overwhelmingly Jewish philanthropists who promote transgenderism because they believe it will make society resistant to fascism. Another recent example is Richard Doblin. According to the Jewish Telegraph Agency, the Jewish founder and executive director of the Multidisciplinary Association for Psychedelic Studies dedicates “his life to promoting psychedelics as . . . an insurance policy against another Holocaust.” In many cases, this Jewish activism — alongside other Jewish influences in society — has been absolutely devastating to white civilization.
Jewish international financiers and vulture capitalists have globalized and destroyed the economy, making having families unaffordable for young people; Jewish pharmaceutical companies have drugged the heartland with opioids; Jewish immigration and refugee organizations have flooded white countries with hostile, non-white invaders. Add the normalization of obscenity and the distribution of hardcore pornography to the list of ways that organized Jewish activity has rendered white society unfit for reproduction.
The art of Cleon Peterson, who is sponsored by the Jewish Rothschild family and designed the Endless Sleep mural beneath the Eiffel Tower (left). Pictured alongside the rest of his “art,” which features black figures raping and murdering white women and white figures dying of drug overdoses, it appears that the title Endless Sleep is a euphemism for the deliberately engineered destruction of the white race.
Have Jews created “a crisis of reproduction for the white race” by mainstreaming pornography?
Verdict: guilty.
To “Promote Miscegenation” and “Increase the Sexual Lusts of Men of Color or Jewish Males for White Women”
According to Abrams, because “‘the leading male performers through the 1980s came from secular Jewish upbringings and the females from Roman Catholic day schools,’ the standard porn scenario became as a result a Jewish fantasy of schtupping the Catholic shiksa.”
Repeating what he was told by Ron Jeremy, Kulich corroborates that Jews are in porn “to fuck Roman Catholic chicks” and “fulfill like every fantasy that every Jewish boy has ever had.”
Harvey Cohen has also allegedly stated: “As you’re aware, it’s a Jewish fantasy to screw gentile women. . . Besides, why would Jewish pornographers care about gentile fantasy?”
Shiksa is a Yiddish pejorative amounting to “gentile whore.” Unclean Lips: Jews, Obscenity and American Culture goes further, defining it as “‘unclean creature,’ reptile; abomination, detestation, uncleanliness.”
This attitude can be extrapolated to the broader Jewish entertainment industry, notwithstanding the enormous amount of sexual predation by Jews in other fields, such as the infamous Jeffrey Epstein child sex trafficking operation and its constellation of complicit Jewish modeling agents. This is doubtless one reason why Stanley Kubrick, who made esoteric Jewish elite sexual abuse cults a central topic in his films, said that “Hitler was right about almost everything.”
The Jewish Washington Football Team (formerly Redskins) owner Dan Snyder has been accused of making lewd videos of his cheerleaders and pimping them out to friends, which is one instance in a discernible trend of Jewish entertainment executives preying on “shiksa” actresses and gentile-employee cattle. Snyder allegedly told a cheerleading coach: “You better keep them skinny with big tits or I’ll fucking kill you.” Turning to Hollywood, Larry David commented on SNL about the “very disturbing pattern” of Jewish sexual harassers in the film industry. The Tablet Mag article “The Specifically Jewy Perviness of Harvey Weinstein” explains why this is, by describing Weinstein as “a character straight out of Philip Roth, playing out his revenge fantasies on the Goyim.”
But the shikses, ah, the shikses are something else again [. . .] I am so awed that I am in a state of desire beyond a hard-on. My circumcised little dong is simply shriveled up with veneration. Maybe it’s dread. How do they get so gorgeous, so healthy, so blonde? My contempt for what they believe in is more than neutralized by my adoration of the way they look, the way they move and laugh and speak.
— Philip Roth, Portnoy’s Complaint
This trend extends to Jewish pornographers as well. For instance, Ron Jeremy — whom the Jewish Daily Forward describes as “your goofy Jewish uncle” — was recently charged with 28 counts of sexual violence, following a flurry of allegations in which Jeremy is accused of violent rape and of “sexually assault[ing] a 15-year-old girl at a party in Santa Clarita.”
The porn industry is notorious for sex trafficking and for taking advantage of vulnerable people; in his essays, Luke Ford has likened the porn industry to the “white slave trade.”
Last year there was a series of cases where the rapes of kidnapped, underage girls were uploaded to and featured on major Jewish porn sites which often refused to take the videos down. Additionally, last year the owners of a porn production company, Michael Pratt and Mathew Wolfe (not confirmed to be Jewish, though the former is a common Jewish surname), were charged with multiple counts of sexual trafficking. Pratt is still at large (perhaps hiding in Israel). Several years ago, Jean-François Gariépy brought attention to a similar scandal by conducting an interview with a young white girl who was lured into hardcore porn through modeling gigs and forced into acting in interracial abuse videos. Gariépy’s interview makes it horrifically clear that the girl is being viciously exploited, as she is evidently not all there and appears to have the cognitive faculties of a child, probably due to brain damage sustained from a traumatic car accident during her childhood.
On this topic, note that Jews like Seymore Butts and Mike Kulich have specialized in the “interracial abuse” porn genre, which glorifies degrading black male on white female sexual violence. The reluctance of white female actresses to star in these films has frustrated Jewish pornographers like James Deen, who says it is “irritating and disgusting and annoying. . . It’s racist and it’s belittling and it’s keeping me from making a good product.” While this kind of “product” is less profitable, Jewish pornographers have nevertheless taken it upon themselves to normalize and promote the genre as part of a “Crusade for Racial Equality.”
In this regard, the story of Greg Lansky is also extremely telling. Greg Lansky is known as the “Steven Spielberg of porn” for his work of turning porn into what Rolling Stone describes as “high art.” Lansky has also been working to “mainstream” porn by advertising to the widest audience possible: “Adult companies need to learn to have a digestible social media presence — one that is safe for work, safe for the audience that wants to enjoy the brand. If they want to cross that border for graphic 18+ content they can click a link.” Lansky is talking about advertising his product on social media platforms, where it will reach impressionable young children. For this reason, Ad Age calls Lansky “a master of SFW marketing.”
Another tweet from Pornhub’s social media manager, trivializing hardcore porn consumption by children
As pointed out in a French article written by Jacky Goldberg, Lansky’s “art” is more than porn; it is a “political gesture.” What genre is the focus of Lansky’s “artistic” pornography? According to Rolling Stone, it is “interracial sex and. . . portrayals of white women being sexually dominated by well-endowed black men.” To promote this genre, Lansky has also associated himself with a variety of highly influential rappers, including Kanye West. In one publicity stunt, Lansky offered Kanye a contract to direct an interracial porn film for his brand. Lansky is “congratulated by the African-American community” for his interracial pornography, and Kanye West has publicly promoted Lansky’s pornography, which West praises as his favorite genre.
As Lansky himself stated several paragraphs above, he sees his work in the porn industry as a fight against discrimination, so his “artistic” interracial porn brand is very obviously intended to glamourize interracial sexual relationships, specifically between black men and white women (this should be contextualized alongside the massive push for interracial couples, largely black men and white women again, by Jewish advertising agencies). Of course, Lansky’s product is also frequently posted alongside anti-white hate screeds and calls to “rape white bitches” on social media platforms (more on this — graphic — here). Jack Sen also argues that the distribution of interracial abuse pornography “has encouraged a rise in violent rape perpetrated by black men against non-black women.” As shown above with the Kanye debacle, this sort of pornography is specifically marketed towards black and non-white men. How many of the African and Middle Eastern rapists that have sexually assaulted and murdered scores of white women and schoolchildren throughout America, Western Europe, and South Africa were consumers of pornographic material depicting small and very young-looking white women in schoolgirl costumes being violently sodomized by Africans? Note that earlier this year, an 18-year-old white French girl named Victorine Dartois was raped and murdered by a non-white man. The accused was found to be uploading drawings of his interracial sex fantasies on YouTube.
Do Jewish pornographers indulge their lust for white women with pornography, and use it to “promote miscegenation” and “increase the sexual lusts of men of color for white women?”
Verdict: guilty as sin.
The Aftermath
Discussing hardcore pornography is distasteful, but necessary, because of the absolutely profound influence internet pornography has on the collective consciousness of the modern world.
Today, roughly 89% of young men and 31% of young women admit to viewing hardcore internet pornography, and the average age of exposure is estimated to be 11 years old. Google Analytics shows that porn traffic increases 4,700% after school hours when kids get home from school. Pornography is so ubiquitous that exposure to hardcore pornography, including the depiction of particularly deviant and extreme fetish activity, has been identified by studies as a “normative” childhood experience. Understanding the full sociological ramifications of pornography is undoubtedly difficult considering the near impossibility of finding a control group that has not been exposed to hardcore pornography. However, it is very reasonable to assume that the porn industry is a profound influence, if not the central influence, on the formation of young people’s sexuality and their attitudes towards members of the opposite sex. And, as discussed above, the industry producing this material deliberately produces increasingly graphic, deviant, and hateful anti-white material designed to push the boundaries of the acceptable and to shock and desensitize viewers.
For instance, a still from an interracial abuse porn video featuring an actress with braces, pigtails, and a flat chest — i.e., made to look like a 13-year-old — surrounded by African men has become a viral meme that has been shared and adapted millions of times online. The meme is so ubiquitous that high school students imitate it. High school students as young as 16 have been following porn trends and uploading videos online depicting “them[selves] crushing small creatures to death while performing sexual acts” in Cape Town, South Africa.
The Piper Perry Surrounded meme, which has been shared and adapted millions of times online
These are just a few examples illustrating the reach and the consequences of “porn culture” on the youth. Hardcore internet pornography has been absolutely devastating to our cultural psyche. It has corrupted, defiled, and demoralized an entire generation. And the simple fact is that our Jewish friends are largely responsible for legalizing, creating, and distributing this toxic filth. They did not accomplish this by militarily occupying America, seizing the television stations, and broadcasting demoralizing pornography to the occupied civilians, just as they did in Ramallah two decades ago. They achieved this through betraying the trust of the country that rescued them from persecution in Europe and welcomed them as refugees, by manipulating its laws, and engaging in cultural warfare within a market defended by no barriers against Jewish entry. What the IDF did to demoralize the residents of Ramallah, and black operations do to demoralize Jihadi fundamentalists, has been done to the West through its entertainment industry.
Pornography — just like abortion, feminism, gay rights, and the normalization of pedophilia — is promoted by the wealthiest and most tightly organized ethnic group on the planet as a form of ethnic political activism. Jews see pornography as a tool for fighting “fascism” and social discrimination, and for making society safe for Jews. The porn industry is one branch of a large Jewish Cultural-Marxist project to deconstruct the values of white, Western civilization, to gut Western ways of constructing meaning, and to render our culture disordered and meaningless. Pornography is a weapon, a form of Jewish “cultural terrorism,” and Jews candidly admit it. Do not take my words for it. Addressing the Jewish community, Rabbi Daniel Lapin writes:
Instead of focusing on imagined enemies, we should ask whether dogmatic commitment to a secular-liberal vision is encouraging dislike for the Jewish community. Without such honest self-appraisal, Jews will become more and more disliked — not by crazed individuals but by decent Americans distressed over their rapidly deteriorating culture and the role of Jews in that agenda. It cannot escape the notice of ordinary Americans coping with the challenge of raising responsible children in a hostile world that many Jewish names and groups lead the fight for policies these Americans see as causing the country’s decline. [16]
It’s true. Decent white men everywhere are finding out.
And we are sick and tired of it.
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Notes
[1] MacDonald, xxxiv.
[2] Ibid., 112.
[3] Ibid., 115.
[4] Abrams.
[5] Abrams.
[6] Jones.
[7] Tzach Yoked, “Artful Porn and anti-Semitic Threats: The Man Behind the ‘HBO of Adult Films’ Bares All,” Haaretz, 2019.
[8] Abrams.
[9] Jones.
[10] Goldstein, 2.
[11] Ibid., 196, 265.
[12] Ibid., 219.
[13] Jones.
[14] The Report of the Commission on Obscenity and Pornography (US Government Printing Office: Washington, DC, 1970).
[15] Eva Wiseman, “Why disaffected young men need more pornography,” GQ, 2018.
[16] Daniel Lapin, America’s Real War (New York: Crown Publishing Group, 2012).
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