I was just interviewed by two
Temple journalism students, Amelia Burns and Erin Moran, and though they
appeared very bright and enterprising, with Erin already landing a job that
pays all her bills, I feel for these young ladies, for this is a horrible time
to make and sell words, of any kind, and the situation will only get worse.
We’re well into postliteracy.
With widespread screen
addiction, hardly anyone buys books or newspapers anymore. My local newspaper,
the Philadelphia Inquirer (Inky), no longer has a book review section. Its
retired editor, Frank Wilson, was never replaced. Frank had three of my books
reviewed, Night,
Again, Fake House and Blood and Soap, but the last was in 2004.
Frank lives near me, so I see
him around. A lifelong Philadelphian, he takes pride in knowing the city well.
Speaking of Steve Lopez, an Inky reporter who made his name with a novel about
North Philly, Badlands, Frank sneered that Lopez didn’t actually try heroin, so he
didn’t really know what he was talking about. Frank did.
If you mess with Frank, the
bearded, snarling Irishman will maul you with his cane. Frank’s not just
ancient, but old school.
After moving to Philly in 1982,
I’d read Clark DeLeon’s daily column in the Inky. Covering the city with
knowledge, heart and humor, DeLeon helped me to feel grounded, and challenged
me to explore my new home. After 23 years at the “same sloppy-topped gun-metal
gray desk,” DeLeon was fired, however, a casualty of postliteracy.
Clark, “For 16 years I wrote
six columns a week for the paper’s metro section. In later years I was cut back
to five columns a week. In the final year, I was down to 1 column a week in the
feature section.”
No longer a professional
journalist, Clark earns his keep by working as a costumed tour guide outside
Independence Hall. Done with work, he’d often down a few at Dirty Frank’s. A
tall, square-jawed and rugby playing dude, Clark would sit there in his black
tricorne hat, brown waistcoat and white shirt with billowing sleeves, like a
hulking Paul Revere, here to announce the worst of possible news. The death of
the word, and thus thinking, is coming!
One recent evening, there was
karaoke at Frank’s, so Clark got up to sing Springsteen’s My Hometown. With his
strong, sonorous voice, Clark handled its lyrics expertly, but then he
unexpectedly choked up, and had to stop. It’s understandable, because the song’s
depiction of economic collapse describes the country and city he loves, as well
as his own plight:
Now Main Street’s whitewashed
windows and vacant stores
Seems like there ain’t nobody
wants to come down here no more
They’re closing down the
textile mill across the railroad tracks
Foreman says these jobs are
going boys and they ain’t coming back
Our physical degradation is
nothing compared to our mental derangement. Take our song lyrics, which are no
longer required to make sense, as long as the beat is righteous. Postliterate,
we fumble and befoul English. As we are forced to shout at each other above the
constant din, there is no subtlety left to language.
Before the internet, I would
buy the Inky first thing in the morning, often before dawn, as the newspaper
box across my apartment had just been stocked, then I would get the Daily News.
Many days, I would also pick up the New York Times and New York Post, and
during the week, I would read the Philadelphia City Paper and Philadelphia
Weekly. Just about everybody I knew also bought at least the Inky or Daily News
each day, so what we had, then, was a shared body of topics to discuss. We
belonged to the same mental community.
Of course, you can rightly
claim that we were all uniformly brainwashed, especially since the Inky and
Daily News were owned by the same damn company, but the free weeklies did
provide alternative viewpoints, and many neighborhoods also had their own rag.
The Philadelphia Tribune catered to blacks.
As a young writer and artist in
the 90’s, I was written up in all the local outlets, Inky, Daily News, City
Paper and Philadelphia Weekly, and this coverage grounded me, tied me to my
city. When I had my mug in the Daily News in 1991, for example, the cashier at
a cheesesteak joint congratulated me, and the owner of some corner store urged
me to go home and be creative!
Although my writing about
Philly has become much more in depth, my local audience is mostly gone, thanks
to the internet, which has fragmented each place on earth, for no matter where
you live, you’re hardly there any more. Thanks to the internet, everything
around you has become much less concrete, as in your city, desk, lamp, spouse,
with the computer screen now turned into your most needy and indispensable
companion, for it has become your mirror, soul and shrine.
Traveling to a new town, I
always looked forward to browsing its newspaper, for here was its
self-portrait, exotic and absolutely inaccessible to me previously. I remember
being delighted by the social tidbits in a rural Maine newspaper, as in Mr. and
Mrs. Smith had a three-day visit from their grandson, Jack, an accountant in
Boston, or the Tremblays have finally left for their long-planned trip to Las
Vegas. They will be back on Monday, with many interesting tales to regale us
all. In the style section, there might be a meatloaf recipe from, say, Mrs.
LeBlanc. With its colloquialism or even clumsiness, the English, too, is
reflective of a place.
Whatever its flaws, the local
newspaper gave each community a social forum and common culture, and though
newspapers haven’t died off completely, the remaining ones are eviscerated, and
hardly read, for nearly everyone is on social media, all day long, where they
can broadcast themselves. From reading about their town, people now upload
endless selfies and self-important proclamations. Everyone is his own news,
superstar and universe. Self-publishing, each man is an insanely prolific
author, of gibberish, mostly, delivered to almost nobody, but it’s all good,
for he can endlessly worship his preening self, on a screen, an intoxicating
experience. With FaceBook, Twitter and Instagram, everybody is famous all the
time, to himself.
There is a silver lining to all
this, for the internet has allowed deeply heretical views to surface, so that
we can be swayed by writers who would otherwise be entirely silenced, and I’m
thankful that I can crank out thousands of words monthly to thousands of
people, if only for PayPal donations,
and it’s a miracle I haven’t ended up homeless myself, like some of the people
I portray. The net effect of the internet is negative for both literacy and
community.
Drowning in bilge, we excrete
our own and happily guzzle it all. There are no coherent stories left, and no
reflection, and if something makes sense, it can only do so for a flash, before
it’s washed away by a deluge of lies and trivia. Nearly as soon as something is
read, or rather, skimmed, it’s permanently forgotten.
Serious art forms such as
painting, sculpture and poetry have become occult pursuits, for they require
contemplation, solitude and silence, which are all but banished from this manic
society. Nothing matters, man, least of all the word. Across the river,
Whitman’s grave sits desolate.
In each Edward Hopper painting,
everyone is profoundly and pathetically alone, even when he or she is with
others, but that’s the American essence, as captured by America’s greatest
painter, but so did Johns, Warhol, Guston, Salle and Basquiat. Trapped in this
self-congratulatory, narcissistic, house of mirrors nation, how can we be
anything but solipsists? Blind to everything, we just want to hear our own
voice.
In this accelerating speed
culture, there is no time to think, or even feel much beyond an insatiable
anxiety. Driven half insane by a surfeit of nothingness, many Americans can
only calm down with plenty of alcohol and/or opioids.
Admiring our screen persona, we
blunder into the mindless void.
Linh Dinh’s latest books are Postcards from the End of
America (non-fiction) and A Mere Rica (poetry). He maintains a regularly
updated photo blog.
