“American Oligarchs” will be a recurring National Justice series highlighting 21st century robber barons and how they use their power over our country.
The goal is to spotlight America’s crisis of representative democracy and the corruption foisted upon our society by capitalist thugs and their agents.
The relationship between distorted art and ugly behavior is not always obvious, but it is intuitive. As with the ancient Greek comparison of bad poets with bad politics, American society, through the systematic distribution of wealth into the hands of a small group of greedy capitalists and Jews, has the art and leadership of a corrupt society plunged deep into the Dark Ages.
A 2016 article in the New York Times contrasting the immense wealth of the Museum of Modern Art with the financial hardship of the Metropolitan Museum of Art just 30 minutes away is testament to the immense spiritual and social discord created by a slimy film of Wall Street filth in perpetual antagonism with European civilization.
In the piece, the “fashionability” of the MoMA and its billionaire-facilitated expansion is described, all as one of the world’s greatest collections of precious figurative art from around the world at the Met is forced to endure layoffs and budget cuts.
No stone has been left untouched by the greed of the revolt of the elite. Capitalists, predominately Jewish, have sunk their fangs into the art world and turned it into yet another money pump, especially privileging difficult to appraise “modern” and “abstract” odes to the ugly, and turning it into yet another parasitical scam. The “works” of Warhol and Hirst have appreciated faster than the S&P 500, and buying and selling art whose prices are bubbled up by speculation has made a joke out of a once vital pillar of human enlightenment. The speculative market has also made it appealing for billionaires to donate their art collections to museums like the MoMA in exchange for an estates-tax dodge at “market value,” decided by the hype created by the price of an initial buy and resale (say, to your own Cayman Islands shell company, in theory) and kooky critics who claim to see depth in a blank canvass,
The patrons of modern art are just as repulsive as the works they sponsor. MoMA continues to expand thanks to the large donations provided by its trustees and donors, which is a veritable who’s who of Zionists and bankers: Blackrock’s Larry Fink, currently profiting off the crisis of student loan and credit card debt, the infamous Rockafellar banking estate, and Leon Black, a white-collar bandit specializing in leveraged buyouts.
But perhaps the most shocking decision made by MoMA was to name a new galleryin its $400 million dollar expansion after Glenn Dubin, another trustee and a Wall Street figure who has been accused by multiple people under oath of being a child-molester who aided Jeffrey Epstein. MoMA, for all the “wokeness” Jews and feminist whackjobs who specialize in peddling abstract art promote, has refused to break their ties to benefactor Dubin. Democratic Presidential contender Pete Buttigieg has also ignored calls to return donations from Dubin and his wife.
In the plutocratic hedonistic tyranny of America, it is more controversial to be an associate of an accused “Nazi” than it is to be closely linked to an international trafficker of kids.
Glenn Dubin, Accused Child Rapist
Dubin’s relationship to now deceased co-tribal Jeffrey Epstein is disturbingly intimate. Dubin’s current wife, a Swedish social climber named Eva Andersson, got her start as a 17-year-old model in New York City who later became Jeffrey Epstein’s girlfriend by 1981. Epstein and Andersson were together until he met Ghislaine Maxwell in 1991, and he personally paid for her to attend medical school.
By 1994, Andersson got married to Dubin, but continued to speak to Epstein every day on the phone, allowing her to become ingratiated in his network of Jewish criminals and powerful Gentile servants. Epstein also became closely acquainted with Dubin, and was considered a “godfather” to the family’s children.
Epstein had a special eye for one of the Dubin children, Celina, who he personally mentored since the age of 12. The Palm Beach Post reported after Epstein’s death that at the age of 61 he even tried to marry 19-year-old Celina, who for years referred to him as “Uncle Jeff.” The dynamic between Epstein and Glenn Dubin, the latter who apparently had no issue with his wife’s ex-boyfriend not only hanging around but wanting to prey on his daughter, is peculiar to say the least.
Dubin’s Highbridge Capital and Epstein tossed big money back and fourth to each other in the stock market for years, but the real controversy Dubin finds himself in is in relation to the lawsuit put into motion by former Epstein child sex-slave, Virginia Giuffre. According to her 2016 deposition, Giuffre alleged that Dubin was the first man she was forced to have sex with after being recruited at Donald Trump’s Mar-a-Lago resort by Maxwell at the age of 15.
Her implication of Dubin was substantiated by testimony from his butler, Rinaldo Rizzo and his chef wife. According to Rizzo’s tearful account of events, he and his wife often saw random underage girls coming in and out of the Dubin residence. In one incident, Eva Andersson brought a 15-year-old Swedish girl into the kitchen claiming that she was a new au pair, and briefly left her alone with Rizzo. The house manager made casual small talk, asking her what she did for the Dubins, only to get the answer that she was Dubin’s “personal assistant.”
Rizzo did not believe it, as the girl was 15. When he pressed her on the topic, she began to shake uncontrollably and cry, admitting that she was being raped but was being threatened by Maxwell and Epstein into silence.
Rizzo and his wife soon quit their job in indignation following this exchange, even though Rizzo was a longtime employee of the Dubins.
Who but the rich and Jew-connected could retain their position as a prominent internist at Mount Sinai Hospital or on the medical facility’s board (which Dubin retains) after being merely accused of such monstrous behavior? Dr. Eva Andersson continues to work at the Dubin Breast Center at Mount Sinai Hospital in New York City since it is financed by her husband, partially with Epstein’s money.
Compare the insolence of continuing to give leadership roles and honorable titles to the sullied names of this Jewish billionaire and his wife at a hospital where hundreds of thousands women and girls pass through with the phony outrage performed by St. Judes Hospital when they returned a $27,000 dollar donation from Ethan Ralph and his fans because the Wall Street Journal called them “racist.” Virtue signaling is an oligarchy’s Fabreze to mask true moral stink – the more flowery it smells, the more extreme the rot.
Dubin and his wife continue to deny all of these accusations and have made press releases calling Epstein “despicable,” but records show that the couple continued their relationship with Epstein even after he was outed as a deviant and sent to jail on sexual exploitation charges. Eva Andersson even wrote a letter affirming Epstein to be of good character to his probation officer, claiming she was fully comfortable with him being around her teenage daughters.
Politicians, “Robin Hood Foundation,” and Other Dubin Projects
The oligarch has been handing out cash to prominent Democrats and 501(c)(3)s for the past two years, even though the scandal has forced him to retire from the only kind of institution treated with respect in today’s America: his hedge fund.
Dubin has spent lavishly on California Representative Gilbert Cisneros, a crusader for open borders and gun-grabbing.
He has also donated to the arch Zionist Max Rose, who recently wrote an op-ed in the New York Times calling for the government to treat all who advocate for European civilization and white citizens as terrorists.
He has shown great interest in buying influence with some of the Democrat presidential flunkees running as business-friendly neo-liberals, such as John Hickenlooper, Steve Bullock and Michael Bennett.
Dubin’s current interest is in “Wall Street Pete” Buttigieg, to whom he has given the maximum amount.
On the “charity” front, Dubin is known for being a founding member of the Robin Hood Foundation, a non-profit funded largely by Jewish hedge fund managers, that claims to be interested in combating poverty in New York City.
The recipients of Robin Hood Foundation grants are a kaleidoscope of non-white ethnic advocacy organizations, immigration and refugee resettlement groups, mixed in with various endeavors intended to raise the 1 in 3 New Yorkers going in and out of poverty up into financial stability.
Since its founding by Dubin and Paul Tudor Jones in 1988, the fund claims to have dispersed over a billion dollars, making it one of the most generous anti-poverty groups in the country on paper.
Yet, during Robin Hood Foundation’s 32 year existence, wealth inequality in New York City has skyrocketed to number one in the nation, with most of the money going straight into the pockets of these noble stock exchange Robin Hoods. The top 1% in New York has 44 time s more wealth than the bottom 99%.
This is thanks in part to Ronald Reagan’s Tax Reform Act, which reduced the income tax of top earners from 50% in 1986 to 28% in 1988, which gives the super-wealthy plenty of extra money to fund open borders, anti-white activism, modern art, and child transgenderism at the expense of our health care, public facilities and safety net, all without being subjected to the scrutiny and anger of the voting public.
The Robin Hood Foundation itself found itself in hot water, when Congress in 2007investigated the non-profit’s “rainy day fund,” which was being re-invested into hedge funds owned by the “charity’s” very own donors and trustees!
Corrupted politicians, the widespread debasement and commodification of art, anti-white racial animosity, the rape and enslavement of little girls as the FBI looks the other way – it’s all coming off the Dubin assembly line, with not a single cent being earned through honest and productive work.
(Republished from National Justice by permission of author or representative)