Sunday, October 16, 2022

What’s Up with All the Blacks on Television? – The Occidental Observer - by RockaBoatus


Unless you’ve been living under a rock or have thrown your television out the window, you’ve probably noticed how frequently Blacks are shown on TV and in the movies. It’s not like the old days when token Black actors played minor and inconsequential roles. Blacks were rarely portrayed as important persons in professional roles such as doctors, lawyers, school administrators and scientists because it didn’t reflect their actual place in society. Such portrayals would have been seen as contrived and unrealistic by most Americans because there were comparably few Blacks who were doctors, lawyers, school administrators and scientists.

Blacks in television and the movies were commonly portrayed as hustlers, pimps, and low-level street criminals. They were rarely portrayed as college-educated, and those Blacks who sought to obtain an education were often depicted as attending night school to get their high school diploma. This wasn’t a cruel and “racist” portrayal of Blacks, but one that accurately characterized what far too many of them were like (and yes, there were exceptions then just as there are exceptions now).

Those days are over. Today, almost every commercial and almost every movie features a Black person in a leading role. This has been occurring for at least the past five years. At first it was gradual, but it wasn’t long before it increased to the point where even ‘normies’ began to recognize an obvious pattern of overrepresentation of Blacks or “people of color” on television. Foreigners watching American television might be tempted to think that Blacks are the dominant U.S. demographic, yet they comprise only slightly above 12% of the overall population. Even at 12%, it’s a dangerously high number when one considers the skyrocketing levels of crime Blacks in America commit. They have managed to make unsafe and almost unlivable every major U.S. city — a truth the mainstream media refuses to concede even though it’s abundantly apparent that America has a serious Black crime problem.

One doesn’t need to be “red-pilled” or “racist” to see that the entirety of our nation’s media outlets is preoccupied with portraying Blacks in ways the vast majority of them are not. How so? Racially mixed couples (usually a Black man with a White wife) are constantly presented as the norm. Though there has been an increase in racially mixed marriages in America, I doubt it’s as common as portrayed on television commercials. They even show White men with Black wives which is even rarer.

The image of such mixed couples portrayed by the media is always idealistic and pristine. They live in perfect, designer-style homes, and the image is almost always of a wealthy or above-average income family with beautiful racially mixed children. Though this may sometimes be case, I have rarely witnessed this sort of thing in all my years. Usually, the White female is morbidly obese and settles for a Black guy because no White guy wants her. The Black guy is most often a street thug or aspiring ‘rapper.’ He’s happy to be with any White woman even if she’s visually repugnant to most men, and of course, he won’t be around when the babies come.

The Black actor on Television is always portrayed as witty and well-spoken. Often, he’s the alpha male. He or she is always smarter and more perceptive than any White man in the room. White males are almost always portrayed as weak, and socially awkward or imbecilic. They must be constantly corrected by both the Black male and White female actors in any commercial or TV sitcom. This is such a common theme that only the most biased would deny its truth. Whether it’s the cool Denzel Washington, the multi-talented Jamie Foxx, or the all-wise Morgan Freeman, Blacks are better and smarter than any White guy portrayed on television.

Yet despite the constant praise given to Blacks for their “achievements” and “culture” by a fawning media, they have produced nothing of real value in the world, at least in comparison to what Whites have produced over the centuries. Years ago, I discussed this very point with a Black gentleman who tried to persuade me of the great intelligence and ingenuity of Black people. He pointed to a host of modern skyscrapers and complex architectural designs found in some African countries. In his mind, this demonstrated the equality if not the superiority of Blacks over Whites. It didn’t seem to occur to him that all of it was the result of what Whites previously invented many years earlier and which they graciously shared with Blacks under their tutelage.

It’s important to remember that Africans in all their history never even invented a second story building let alone beautiful cathedrals and towering skyscrapers. The first Christian missionaries upon arrival on the Dark Continent were appalled at the ignorance, superstition and blood-thirsty nature of the Africans they encountered. Cannibalism was a common occurrence and was an integral part of African tribal existence. Moreover, Africans had not invented the wheel nor even a codified language. That came years later under the direction of White missionaries. Yet the sort of Wakanda mythology that prevails in America today has permeated the thinking of almost all Blacks and a sizable portion of the White population too. No fair-minded person wants to point out such uncomfortable truths about Blacks, but when complete lies and fabrications are spread about them, there is the need to set the record straight, especially because any shortcomings of Blacks are automatically attributed to White evil.

If one wants to get a perspective of just how ineffectual and backwards Blacks are in creating the kinds of societies that Whites take for granted, I’d recommend the documentary Empire of Dust (2011). It chronicles the frustrating and often futile efforts of Chinese workers to get Blacks in the town of Kolwezi (Congo) to mine the immensely valuable resources available to them. Lao Yang is repeatedly stunned at the level of incompetence, lack of organization and forethought of the Congolese Blacks to take steps in improving their country. The simplest tasks take weeks and even months to accomplish because of problems in the supply chain, mistakes that could have easily been avoided, unskilled laborers, language barriers, and constant bribery which grinds everything to a halt.

At one point, Yang complained to his Black translator and assistant, Eddy, as to why the Congolese people never improved conditions after French colonial rule. Yang tells him, “You went backwards, not forwards. You neglected the things others had left to you. What’s more, you completely destroyed them!” Eddy had no answers because he knew it was true.

What Yang finally realized after spending time with Blacks was the opposite of any Wakanda fairy tale. He discovered that Blacks accomplish very little in terms of productivity even when given the resources and direction they need. They tend to waste all that’s handed to them and, as Yang discovered, they destroy it too.

When apartheid ended in the early 1990s, for instance, the entire nation of South Africa that was previously ruled by Whites was handed over to South African Blacks. Yet it wasn’t long before they managed to turn it into a corrupt and criminal cesspool. Blacks don’t seem to understand the value of what is before them even when it’s shown to them. They are disorganized and embarrassingly incompetent. Is it any wonder why China has managed to mine the abundant natural resources of Africa rather than indigenous Africans themselves?

There is another documentary that likewise illustrates the rather primitive nature of Africans. It was released in 1966 by two Italian filmmakers and shot over a period of three years: Africa Addio (Farewell Africa). It’s a graphic portrayal of African Blacks and the chaos and bloodshed that ensued after colonial rule. The film illustrates the downfall that occurs when Blacks are left to their own devices. Their more primitive traits are unleashed with no restraint. This is not a movie for the fainthearted. Its value is found in showing how dependent Blacks are upon the White man if they want a civilized society with law and order – the very thing that Blacks historically have been unable to create on their own.

Thus, when America’s media and entertainment industry places Blacks on such exalted pedestals, it reveals how absurd things have become in this once-great nation. It exposes what complete fabrications we live under and which we as Whites are expected to believe without question.

What’s the purpose of so much overrepresentation of Blacks and racially mixed couples on television and in the movies? What is the end goal?

Corporate Profits

There is undoubtedly a financial motive involved. Manufacturers and corporations feel the need to keep up with the changing racial demographics of the U.S., and so they intentionally choose minorities to represent their products since it’s likely to have a broader public appeal. The bottom line for such corporations is understandably large profits. They want to reach as many consumers as possible in order to create great wealth for their shareholders. Thus, if there is a declining White population and a growing minority population, and since Whites don’t seem to mind being portrayed as relatively weak, unmasculine, and stupid, they will make whatever marketing shifts they need to in order to reach any new or increasing demographic. Since financial profits are the bottom line, any concerns over Whites being slowly erased from television sitcoms, commercials and movies plays no role in their marketing strategies.

Hollywood’s Promise to Rectify Past Wrongs

The increasing presence of Blacks and other minority groups is part of Hollywood’s promise to make television and movies less White. Their rational is that Black talent has been held back, that they have not been treated fairly throughout the movie industry’s history, so they are now trying to rectify past wrongs by giving Blacks a greater presence in all forms of entertainment. This is essentially how the motion picture industry frames it. I find it disingenuous at best.

Yet there are other reasons, ones that have a more sinister purpose behind them.

To Signal that a New People Have Arrived

The overrepresentation of Blacks and other minority groups on TV and commercials is intended to signal that a new people have arrived and that White America is history. No longer are Whites seen as the dominant and most important demographic in America. Blacks and an ever-increasing Hispanic demographic are the new Americans. This did not occur overnight. Instead, it played out over a period of about 60 years. It was the result of American corporations wanting cheap labor coupled with millions of apathetic Americans who chose to ignore what was occurring at their southern border. Both legal as well as illegal non-White immigration contributed to our current circumstances. All the while our elected representatives stood by and did nothing of any real significance to stop the flood of invading hoards. President Reagan, in fact, gave millions of them amnesty in 1986 which only exacerbated the problems we faced as a country.

In the past, when one conjured up the image of an American, they naturally thought of a Caucasian. One did not immediately think of a Black or a Mexican. This is no longer the case. We are taught that an ‘American’ is anyone who happens to land on U.S. soil regardless of whether he’s Hispanic, negro, Asian, Middle Eastern or whatever his racial ancestry might be. This, of course, stands in stark contrast to what our American founders would have thought about Blacks and Mexicans for in no way would they have viewed them as our equals or even as rightful citizens. Yet that matters little in today’s America where what our Founders envisioned for the country has been almost completely jettisoned.

To Demoralize Whites

The overrepresentation of so many Blacks on television is meant to demoralize Whites. Its purpose is to make us seem less and to even feel less than who we are. This explains why Blacks are always portrayed as cooler and smarter than Whites. Even our White women are portrayed as smarter than White males. None of it is accidental. All of it is meant to demean us racially, to make us feel inferior, and to condition the entire country to believe that White people are not needed. They are, at best, merely tolerated but even this won’t be for much longer if the anti-Whites have their way. This is why anti-White racism is so widely sanctioned in the U.S. No other racial group, other than Whites, is permitted such opprobrium and overt discrimination. It’s socially acceptable in the U.S. to denigrate White people. And the greater tragedy it is that Whites are more than happy to lead the charge! I can’t think of any other racial group — other than Whites — that works so hard to abolish themselves.

The degradation of Whites in all forms of entertainment becomes even more disturbing when one realizes that we are not being subdued or outclassed by a superior or more intelligent race of people, but essentially by sub-Saharan negroes and their descendants — a racial group that’s only slightly more intelligent than the lowest aboriginals! Talk about rubbing salt into the wound. The powers-that-be have made sure that not only are Whites gradually erased from the very nation their ancestors founded, but they are erased by a vastly inferior racial group — one that not only possesses on average significantly lower intelligence levels than Whites — but which has a long history of strong criminal proclivities and an inability to function in western civil society. It’s perhaps the ultimate insult. But this was its purpose all along.

To Promote and Normalize Miscegenation

The presence of so many racially mixed couples on television is meant to persuade us that marrying out of one’s own race is normal and a good thing. It’s intended to make us think it’s proper. Its ultimate purpose is to dilute our European bloodline. It’s intended to make us mutts, to have no real identity, no real culture, no deep-seated ancestral roots.

But mark this well: The push for racial miscegenation is only for White people. Blacks, Hispanics, and Asians are permitted to retain their unique racial identities, including all that is distinctive of them as peoples. And they are encouraged to do so too. As Whites, we are encouraged to celebrate their racial identities and their cultural uniqueness but to loathe all that is unique to us as a people. That so many White people in America would subscribe to this way of thinking shows just how badly we have been propagandized for the past sixty years.

Who is Behind So Much of This?

The question naturally arises: Who’s behind all of this and why? There can be little doubt that a host of elite Jews and Jewish organizations stand as the central figures behind most of what’s occurring (along with plenty of White sycophants eager to please their Jewish masters) — especially plausible given the very prominent, even dominant role that Jews play in the media which of course is the main purveyor of these messages. This is not to say that every single Jew without exception has as his or her goal to deracinate White people and to make them minorities in their own countries. The average Jew, I suspect, has no such goals and may not even think in such terms, although most of them would likely support Third-World immigration into the West for perceived humanitarian reasons — the very thing they would not support if such immigration were occurring in Israel.

Yet there is a wealthy and powerful cabal of Jews throughout the West who have worked tirelessly to destroy all vestiges of White racial identity. It’s not so much “white supremacy” they fear (however defined) but organized White solidarity; the fear that Whites might unite on behalf of their own racial and cultural interests; and especially the fear that Whites might discover the culturally subversive ways of Jews and muster the courage to give them the final boot. It’s happened so many times in history that it’s naïve to imagine that perceptive Jews don’t think of it often. Their proclivities toward hysteria, overreach and a victimhood mentality help keep far too many of them in a constant state of paranoia over this very possibility.

There can be no reasonable denial that Jews largely run Hollywood, including the media and an array of social media platforms that guarantee the constant presence of Blacks on television and the movies. Countless names could be mentioned to confirm such an assertion, including Israeli-born billionaire and mega-producer, Arnon Milchan, Bob Iger (Chairman/CEO of Walt Disney Company), David Geffen, Jeffrey Katzenberg, and Steven Spielberg (co-founders of Dreamworks SKG), Jason Blum (founder/CEO of Blumhouse Productions), Aaron Sorkin (prominent writer and producer), David Herzog (Viacom President), and the list goes on. Some Jews are quite proud of it, and they’re not afraid to admit it. Jay Michaelson is one such person. In an article he wrote titled, “The Oscars are Too White – and That’s a Jewish Problem” (The Jewish Daily Forward, February 1, 2016), he posits the following:

 “The Jews control Hollywood.” It’s one of those anti-Semitic tropes that, we all know, contains a certain grain of truth. “Control,” no — not with that ominous, conspiratorial connotation. But “helped create”? “Disproportionately populate?” Sure. From the founding of California’s motion picture industry (well documented in books like Neal Gabler’s “An Empire of Their Own: How Jews Created Hollywood”) to the present day, Jews have played an outsized role as its producers, agents, directors and writers.

It’s not just a myth. Which is why the at-least-equally disproportionate exclusion of people of color from the Academy Awards — the phenomenon hashtagged as #OscarsSoWhite — is a Jewish problem.

But it’s also a Jewish opportunity, because if Jewish leaders took the initiative to address the crisis proactively, the Jewish “elephant in the room” could instead be a powerful force for change . . . If the academy were an actual academy in the true sense of the word, it might recognize the present-day effects of historical injustices — part of what we call white privilege — and take affirmative actions to correct them. But the academy isn’t a real academy, it’s a club. Specifically, it’s like a 1950s private social club. Apart from Oscar winners, members must be referred in. Now, this situation is finally changing. The academy’s president, Cheryl Boone Isaacs, is a woman of color. And, in response to the recent outrage, the governing board took some important steps: abolishing life membership, and doubling female and minority membership by 2020.

These steps are valuable, but the academy is a symptom of a larger, industrywide problem . . . Here’s where Jewish leadership could play a role. Suppose L.A.’s celebrity rabbis urged Jewish film makers to take the initiative in diversifying the industry as a whole, not just the academy specifically. Suppose those movers and shakers personally committed to more recruitment, more support and more training of women and people of color in the film industry at large. None of this would require government programs, quotas or race-based hiring. Rather, imagine if the Spielbergs and Geffens of L.A. endowed scholarships for minority students working in film, internship opportunities at their own shops, and proactive efforts to reach out to those from disadvantaged communities. And imagine if they did so as Jews — generally, in the case of Hollywood, non-practicing and non-religious Jews, but still members of what Justice Felix Frankfurter once called “the most persecuted minority in history.” If a public alliance of American Jewish filmmakers took personal initiative to fix this unjust, embarrassing and ugly situation, they could make a real difference.

Michaelson not only concedes that Jews created and “disproportionately populate” the motion picture industry, but he publicly urges Hollywood moguls to recruit and hire even more minorities for leading roles. The result inevitably leads to the displacement of White actors in Hollywood — Whites, although underrepresented, are noticeably missing from Michaelson’s recommendations. Such blatant discrimination wouldn’t be tolerated in today’s racially correct climate if its subjects were Black or Hispanic, but no eyebrows are raised when the subjects are White.

The reasons behind Jewish cultural subversion remain the same whether it’s national immigration policy, the promotion of pornography, gay and LGBTQ+ rights, gay marriage, or the slow and steady erasing of Whites on television, commercials and the movies — namely, to make Whites a despised minority in the very country they’ve founded so that what occurred in Germany between the years 1933 to 1945 may never occur again. Jews may not at first agree with this point, but if you press them long enough, many of them will concede that White racial solidarity remains a constant fear of theirs.

Discerning Jews know they cannot rule when Whites are aware of their racial identity and are strongly connected to it. They oppose all forms of nationalism (other than their own) among Whites because it produces the very solidarity that threatens them and which they seek to destroy. Whites united and racially conscious of their heritage invariably creates the kind of society in which Jews remain as outsiders, and they know it all too well.

For Jews to be successful in our societies, they must sever our racial bonds and create division and strife among us. They use a divide-and-conquer playbook to dispossess our people. Yet panic erupts among them once we discover their playbook and make it known to others. That’s why even veiled public references about Jews are quickly denounced by Jewish activist groups such as the ADL (e.g., “rootless cosmopolitans,” “internationalists,” or even references to George Soros’s political activism). Consider as an example the recent overreaction by Jews over Kanye West’s statements in “naming the Jew” as responsible for originating cancel culture The general public, then, must at all costs be prohibited from learning anything negative about Jews lest they start to connect the dots and see for themselves.


For Whites in America, there is no easy way out of our problems. There is probably a multiplicity of paths that can be taken to help reverse current trends as opposed to one definitive plan. Yet I doubt any of it will prove effective so long as Whites remain divided and under the spell of so much propaganda and deception. Perhaps the greatest need now is for racially aware Whites to work on educating our people. Unless we work to awaken as many as we can about our racial and cultural concerns, little progress will result. Failure to get our people to think differently will only encourage them to side with our enemies.